SEAL ON PSYCHEDELICS

Seal On Psychedelics is a UK based music journal bringing blunt updates on the most relevant, fashionable, boundary pushing or just plain offensive sounds that rock, hip hop and electronic music have on offer.
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Album Reviews
Seal Sounds

Seal Of Approval 2013:

Savages - Silence Yourself (NEW)
The Knife - Shaking The Habitual
James Blake - Overgrown
Kurt Vile - Wakin On A Pretty Daze
Justin Timberlake - The 20/20 Experience
Rhye - Woman
Doldrums - Lesser Evil
My Bloody Valentine - m b v
Ducktails - The Flower Lane

Best Of 2012:

Albums: 10-1
Albums: 20-11
Albums: 30-21
Albums: 40-31
Albums: 70-41
Albums: 100-71

Videos: 10-1
Videos: 20-11

Songs: 10-1
Songs: 20-11
Songs: 30-21
Songs: 40-31
Songs: 70-41
Songs: 100-71

Seal Of Approval 2012:

Holly Herndon - Movement
Kendrick Lamar - good kid, m.A.A.d city
Converge - All We Love We Leave Behind
Flying Lotus - Until The Quiet Comes
The xx - Coexist
Animal Collective - Centipede Hz
Jessie Ware - Devotion
Purity Ring - Shrines
Frank Ocean - Channel Orange
Dirty Projectors - Swing Lo Magellan
SpaceGhostPurrp - Mysterious Phonk
The Tallest Man On Earth - There's No Leaving Now
Beach House - Bloom
Death Grips - The Money Store
Lotus Plaza - Spooky Action At A Distance
Chromatics - Kill For Love
Mirrorring - Foreign Body
The Men - Open Your Heart
Tindersticks - The Something Rain
Trust - TRST
Burial - Kindred EP
Grimes - Visions
Chairlift - Something

Best Of 2011:

Albums: 10-1
Albums: 20-11
Albums: 30-21
Albums: 40-31
Albums: 70-41
Albums: 100-71

Videos

Songs: 10-1
Songs: 20-11
Songs: 30-21
Songs: 40-31
Songs: 70-41
Songs: 100-71

Seal Of Approval 2011:

Kate Bush - 50 Words For Snow
Oneohtrix Point Never - Replica
Drake - Take Care
The Field - Looping State Of Mind
Florence + The Machine - Ceremonials
Kuedo - Severant
James Blake - Enough Thunder
Bjork - Biophilia
The Antlers - Burst Apart
Jamie Woon - Mirrorwriting
Wild Beasts - Smother
Kurt Vile - Smoke Ring For My Halo
Friendly Fires - Pala
Shabazz Palaces - Black Up
Tyler, The Creator - Goblin
Panda Bear - Tomboy
Tune-Yards - Whokill
The Weeknd - House Of Balloons
Cat's Eyes - Cat's Eyes
Gang Gang Dance - Eye Contact
The Go! Team - Rolling Blackouts
Radiohead - The King Of Limbs
The Horrors - Skying
James Blake - James Blake

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Cooly G // Playin’ Me // July 16 // Hyperdub

It’s great when sometimes you can just look at the label who is releasing the music by a certain artist and instantly have a connection with the type of sound that the said artist produces. Despite being one of the industry grands and legends when it comes to UK bass music, Hyperdub seem to be finally branching out onto different sound palettes. Laurel Halo’s record that they released a couple of months ago was anything but bass and the new Cooly G record follows that closely of one of the most pop records to come out on the label in recent memory.

Cooly G is not some newcomer to this whole thing that just got lucky to sign to Hyperdub. She’s been making stuff and DJing for years. Her first single came out way back in 2012. Born in Brixton, South London, Merissa Campbell has a lot to live up to seeing how South London is the cauldron of fresh ideas when it comes to bass and anything funky. Well for starters she doesn’t make dubstep. She might have some 2 step influences here and there but she’s not the new queen of sub bass either. Some people have expected her debut LP Playin’ Me to follow in the same bass pop strain as Katy B did with her debut On A Mission last year. I mean, even their names are similar. All comparisons end here as on Playin’ Me, Cooly G is much more introspective and backwards glancing than any of her contemporaries.

No lie, I’m struggling to think of another female vocalist who makes music that is so reminiscent of the 90s. A lot of people are doing that but front to back, from the cover to the songs, Cooly G’s sound is quintessentially 90s. Songs like Come Into My Room and Good Times have that laidback bedroom pop sound that can’t help but sound dancefloor friendly while moments like Sunshine and He Said I Said brings dub influences to the table, moving at incredibly slow sleeps while having a quick, stuttering beat that is the only thing that makes this a dance record most of the times. With a different choice of percussion this could’ve easily been a neo-soul record as far as I’m concerned. Cooly G isn’t a diva, most of the lyrics here are whispered and make me think of some cheesy music that you get in those 90s movie sex scenes. It’s your typical night love making music, Hyperdub style. Is that really something that you’d want to miss?

Luckily Cooly G doesn’t always get herself lost in all of this old school sound. Her quiet storm R&B sound is not something you’d likely to hear everywhere nowadays and while it does owe everything to the 90s, at least it combines most of the things that were good about that decade’s urban music. Her voice is sensual enough to make Playin’ Me into one of 2012’s must hear night time record and in all fairness, any record that can pull off a Coldplay cover deserves some credit.

  1. sealonpsychedelics posted this